By Philip Szporer In The slow erasure of a profession, Michael Crabb took a look at the state of dance criticism in a world of waning critical arts coverage, sparking appreciative responses from danceinternational.org readers. Below, Philip Szporer continues the conversation about how dance is covered today by introducing a sister publication offering online-only dance
By Deborah Jones David Hallberg serenely slid to the floor, legs immaculately split, then turned to the audience in the Sydney Opera House. “Ouch,” he said. The moment was pure Kunstkamer, the work that lured Hallberg back to the stage after a two-year absence. Originally made for Nederlands Dans Theater in 2019, it’s a huge,
By Silvia Poletti On April 9, at the end of the first edition of Gala Fracci — Teatro alla Scala’s celebration of the late Carla Fracci, intended to become an annual affair — the theatre’s red curtains closed on the dancers applauding the ballerina’s image projected onto the backdrop. With that moving conclusion to the