By Naomi Mori Nothing can stop Saburo Teshigawara’s creative drive. Last year, he was appointed artistic director of Aichi Prefectural Art Theater, a major venue in Nagoya, in central Japan. Last summer, he choreographed Kaze no Matasaburo (Matasaburo of the Wind, based on a novel by Kenji Miyazawa) for young dancers in that district, and
By Tessa Perkins Deneault About a year after the members of CAMP became a dance collective in 2019, they moved in together — a decision motivated by the difficulty of finding affordable housing in Vancouver and pandemic restrictions that would have made collaborating difficult. CAMP — Brenna Metzmeier, Eowynn Enquist, Isak Enquist, Ted Littlemore, and
By Jeannette Andersen Augsburg Theater is one of the smaller regional theatres in Germany — and right now its ballet company is one of the most innovative. Spurred on by past lockdowns due to COVID-19, the company’s introduction to digital forms, including virtual reality, was speeded up. Last season, Ballet Augsburg created two ballets filmed