By Gerard Davis Rudolf Nureyev has become an almost mythological name in ballet. Probably best known for his 1961 defection to the West from the Soviet Union and for his partnership with Margot Fonteyn, he transformed the art form he loved through his dancing, choreography, and international stardom. If you asked anyone in the world
By Sanjoy Roy When narrative dance works well, it’s gripping: the story is embodied in the performance. When it doesn’t, it looks like much ado about something or other: we sense the physicality but not the story. Like Water for Chocolate, Christopher Wheeldon’s new three-act work for the Royal Ballet (a co-production with American Ballet