By Jenn Edwards In a bright, spacious studio in downtown Toronto, choreographer Guillaume Côté leads a cast of 12 in a pragmatic rehearsal at the National Ballet of Canada headquarters. Huddled around a laptop, the dancers refresh their memories with footage of themselves from several months ago. It is January and they are stepping away
By Kathleen Smith Dance on film as a standalone genre still felt new in the 1990s, when a kind of mini-Golden Era of activity occurred. Hybridity was a newish concept, and cultural institutions were anxious to appear progressive by embracing it. In Canada, dance and media collisions found regular support from the CBC, Bravo!FACT Foundation