By Sanjoy Roy Best known for his remakes of classic tales — especially his now legendary version of Swan Lake — Matthew Bourne is a very big name, his company New Adventures touring nationally and internationally far more than any other British company. It’s a lofty position, but Bourne is far from aloof, and has
When Makhar Vaziev took over the Bolshoi last year, he declared that classical ballet was and will always remain the company’s lifeline. And so it was when the Bolshoi toured to Japan in June, where a program of classics — Giselle, Swan Lake and Flames of Paris — dominated over 12 days of performances at Tokyo Bunka Kaikan concert hall. In Giselle, when Evgenia Obraztsova runs, her body
By Deborah Jones Queensland Ballet’s premiere of Ben Stevenson’s Swan Lake had a 42nd Street quality to it as junior company member Joel Woellner was chosen to dance Prince Siegfried alongside principal artist Yanela Piñera’s seasoned Odette-Odile. Piñera laid out her credentials within seconds of taking to the stage with a pure, extended balance on pointe that was an eloquent expression of the Swan Queen’s