By Kaija Pepper The biggest news this quarter was the world premiere of Crystal Pite’s Revisor, a co-creation with Jonathon Young from Electric Company Theatre. All four performances at the Vancouver Playhouse, in February, sold out months in advance, an unheard of success in the local dance world. Pite and Young have become a force
by Tessa Perkins Deneault As a dance artist of Cree, Métis and mixed European descent from Treaty 4 Territory in Saskatchewan, Jeanette Kotowich’s cultural heritage is a source of inspiration for her work. She explores identity through dance, telling stories of culture, land and Indigenous traditions. To her, dance is a language that can express
by Tessa Perkins Deneault It sounds like something out of a dream: shadow one of the world’s preeminent choreographers as she travels the globe presenting new works and preparing remounts, all while joining her company as an understudy. As an apprentice with Crystal Pite’s Kidd Pivot, Renée Sigouin is living this dream. Sigouin met Pite